约翰内斯·赫尔曼（Johannes Herrmann）在他的创作中融合了抽象与具象元素，通过简化的几何形状和大胆的色彩对比，呈现出富张力的视觉语言。他主题常聚焦于部分与整体、内在世界与外部现实、人造环境与自然世界的辩证关系，深入思考"原型"对艺术本质、现实与再现的影响，从而邀请观者重新审视自身与世界的关系，以及我们习以为常的生活方式和思维模式。

创作过程中，赫尔曼保持了对传统图像标准的适度关注，既不完全摒弃也不过分拘泥，他认为清晰的画面和随意性同样重要，两者的平衡能增强作品的物理感和表现力。于是，他常选择易于抽象化的描绘对象，并于其中有意识地做出一些解剖学或透视上的"偏差"，以此强调物体存在的本质而非其表象。

Johannes Herrmann integrates abstract and figurative elements in his creations, presenting a visually dynamic language through simplified geometric shapes and bold color contrasts. His themes often focus on the dialectical relationships between part and whole, inner world and external reality, artificial environment and natural world. He delves deeply into the influence of the "archetype" on the essence of art, reality, and representation, thereby inviting viewers to re-examine their relationship with the world, as well as our habitual ways of living and thinking.

In his creative process, Herrmann maintains a moderate attention to traditional image standards, neither completely abandoning nor overly adhering to them. He believes that both clarity in imagery and spontaneity are equally important, and that the balance between the two can enhance the physical presence and expressiveness of the work. Consequently, he often chooses subjects that are easily abstracted, and intentionally introduces certain "deviations" in anatomy or perspective within them. This approach emphasizes the essential existence of objects rather than their superficial appearances.